What I found interesting in this paper is Verillon’s exposition of the notion of instrument and its relation to the artefact.
The first interesting distinction is that between Piaget’s “epistemic subjectâ€, which is concerned with the generation of new knowledge and the “pragmatic subjectâ€, which is concerned with altering the world. In essence this distinction by itself is dualistic, unless one presupposes that the pragmatic subject encompasses the epistemic: i.e. epistemic is concerned with thinking-theorizing and pragmatic with acting-thinking in the sense of Heidegger’s Dasein. The problem with the epistemic subject is that it is based on a purely positivist account of human practice that can be reduced to a conditioned subject-object relation (e.g. human-artifact interaction).
This reduction leads to unacceptable reductions of the user’s action, which are commonly found in HCI and usability accounts: i.e. this action serves the task, while the other serves exclusively the artifact. A dead end recognized by Norman (1991)—whose earlier work was along this path—and called for a broader unit of analysis: the total system of human, task and artifact (p.19).
Verillon then describes the “instrumentâ€:
An instrument is any object that a subject associates with his or her action in order to carry out a task. In most cases “instrumented” activity, this object is an artifact (i.e., a made object–such as a tool or a machine–that has been designed for a specific task.) However, natural objects-such as stones, sticks or even parts of the body-can be used as instruments. Also, artifacts are brought into play to perform actions for which they were not initially intended (e.g., using a wrench as a hammer), which shows that use is relatively independent from artifact design.
There is a distinction between archaeology’s artefact(arch) and activity theory’s artefact(AT).
| artefact (archaeology) | artefact (Activity Theory) | instrument |
| material aspect | material and ideal character (Ilyenkov, 1977 but see Jones (1998) for a different interpretation) | artifact in use : entity-artifactual and psychological (Rabardel, 1995) |
| psychic instrument (secondary and tertiary artefact?) |
The Instrument mediated activity view has the plus of also taking subject-oject and tool-object interactions into account (attention: they are bidirectional), much like Lang’s (1993) more abstract and—complete I think—ecosemiotic framework.
I think the problem lies in the distinction between artefact and semiosis. I think its in itself dualistic and just takes the same problem on a higher level.
References
- Verillon, P. (2000). Revisiting Piaget and Vigotsky: In Search of a Learning Model for Technology Education. Journal of Technology Studies, XXVI(1).
- Norman, D. A. (1991). Cognitive Artifacts. In J. Carroll (Ed.), Designing Interaction. New York, NY: Cambridge University Press.
- Rabardel, P. (1995). Les hommes et les technologies. Approche Cognitive des instruments contemporains. Paris: Armand Colin.
- Lang, A. (1993). On the Knowledge in Things and Places. In M. Von Cranach, W. Doise & G. Mugny (Eds.), Social Representation and the Social Basis of Knowledge (Vol. 1, pp. 76-83). Bern: Huber.
- Jones, P. E. (1998). Symbols, Tools, and Ideality in Ilyenkov.
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